About

The Feminist Duration Reading Group (FDRG) focuses on under-represented feminist texts, movements and struggles from outside the Anglo-American canon. The group has developed a practice of reading out loud, together, one paragraph at a time, with the aim of creating a sense of connection and intimacy during meetings.

The group was established in March 2015 by Helena Reckitt, at Goldsmiths, University of London, to explore texts from the Italian feminist movement of the 1970s and 1980s. Later in 2015 it relocated to SPACE in Hackney, East London where it was hosted by Persilia Caton until April 2019. From June 2019 to February 2020 the group was in residence at the South London Gallery, where it focused on intersectional feminisms in the UK context (a planned year-long programme that was moved online due to COVID-19).

In 2023 we were one of several groups selected for the eighteen month Residents programme at Goldsmiths CCA, London.

From 2023-2024 FDRG partnered with Cell Project Space developing CEED (Central East European and Diaspora) Feminisms, funded by the British Art Network, with Cell Project Space.

We devised the PhD Training series ‘Feminist Tools for Working Across Difference’ for the CHASE PhD Consortium in 2025-2026.

FDRG sessions have been organised in London with the Advocacy Academy, Artangel, Barbican Art Gallery, Bart’s Hospital, Biblioteka, Cell Project Space, Chelsea Space, Chisenhale Gallery, Courtauld Institute, Deptford X, the Drawing Room, Feminist Library, Flat Time House, Goethe Institute, Goldsmiths CCA, Goldsmiths Cinema, May Day Rooms, Mimosa House, Mosaic Rooms, The Showroom, Silver Press, Sine Screen, South Kiosk, Space Studios, Studio Voltaire, Tate Modern, in collaboration with AntiUniversity, Women’s Art Library, the Department of Feminist Conversations, and FIELDNOTES, and as part of The Table at the Swiss Church.

Elsewhere in the UK the FDRG has been hosted by Grand Union and Eastside Projects, Birmingham, esea, Manchester, De La Warr Pavilion, Bexhill-on-Sea, and Hypatia Trust, Penzance.  A sister group, NW FDRG, was set up in Liverpool by Kezia Davies in 2019.        

Internationally we have partnered with Emilia-Amalia at Art Metropole in Toronto, Canada; Kunstverein Harburger Bahnhof and HFBK Hamburg, Germany; and with ‘Hope is a Dscipline’ curators as part of the 2024 October Salon in Belgrade, Serbia. In 2025 the group contributed to Mundos Habitables (Liveable Worlds), an online resource devised by Peruvian-based curator Susan Quinilan.

Online international meetings have been held with groups including Radical Sense in Tirana, Albania, Mai Ling in Vienna, Austria, and the Gender Studies journal in Kharkiv, Ukraine.

In 2015, at the end of the FDRG’s first year, seven members - Angelica Bolletinari, Giulia Casalini, Diana Georgiou, Laura Guy, Helena Reckitt, Irene Revell, and Amy Tobin - organised the two-week long events programme, ‘Now Can Go,’ focused on legacies of Italian feminism, across the ICA, The Showroom, SPACE, and Raven Row in London.  

The group usually meets once a month, in art spaces and community venues as well as non-institutional venues such as private homes or gardens. From 2023 - 2027 we are Residents at Goldsmiths CCA, London.

The FDRG aims to create an inclusive trans-positive space. We welcome feminists of all genders and generations to explore the legacy and resonance of art, thinking and collective practice from earlier periods of feminism, in dialogue with contemporary practices and movements.

Working Group

FDRG sessions are initiated by a Working Group. Current members are Beth Bramich, Lina Džuverović, Sabrina Fuller, Taey Iohe, Mariana Lemos, Katrin Lock, Helena Reckitt, and Dot Jia Zhihan.

Former Working Group Former members are Giulia Antonioli, Angelica Bollettinari, Lily Evans-Hill, Félicie Kertudo, Ceren Özpinar, Sara Paiola, Justin Seng, Ehryn Torrell, and Fiona Townend.

Working with the FDRG: A Note for Institutions

The FDRG is run by members of the voluntary Working and Support Groups. We regularly partner with community and arts organizations to offer free events to the public.

The reading group is our collective practice that we enjoy and like sharing with others. Facilitating sessions does of course involve considerable time and effort. We also have running costs for web hosting and communication, invited speaker fees etc.

We understand financial constraints within the cultural sector, but appreciate any contributions that support our efforts.

The FDRG operates an ‘Honesty Box,’ and asks funded organisations to pay what they can.

For organisations who can access funding, we suggest a fee of £300 - £600 per session, depending on the scope of work entailed.  This roughly follows the a-n artist payment guidelines for 1-1.5 days for an artist with seven years professional experience (the FDRG was set up in 2015).

Collaborators and Partners

FDRG sessions have been led by Adomas Narkevicius, Ximena Alarcón-Díaz, Giulia Antonioli, Diana Baker Smith, Anna Barham, Tanya Bogacheva, Fari Bradley, Beth Bramich, Anna Bunting-Branch, Fulvia Carnevale, Giulia Casalini, Laura Castagnini, CEED (Central and East European Disaporas) Feminisms Working Group, Anita Chari, Catherine Cho, Leah Clements, Morgane Conti, Lauren Craig, Cinzia Cremona, Galit Criden, Giulia Damiani, Oana Damir, Kezia Davies, Department of Feminist Conversations, Jane Frances Dunlop, Flora Dunster, Lina Džuverović, Lily Evans-Hall, Lucia Farinati, Berit Fischer, Lynne Friedli, Sabrina Fuller, Rachel Garfield, Diana Georgiou, Rose Gibbs, Marija Iva Gocic, Catherine Grant, Valeria Graziano, Laura Guy, Haley Ha, Lily Hall, Nora Heidorn, Minna Henriksson, Natasha Hoare, Jacqueline Hoàng Nguyễn, Yurika Imaseki, Taey Iohe, Félicie Kertudo, Hristina Cvetlincann Knezevic, Alexandra Kokoli, Jessie Krish, Tiersha Faith Laird, Mariana Lemos, Mai Ling, Barbara Mahlknecht, Rosy Martin, Alex Martinis Roe, Jessa Mockridge, Jet Moon, Gabby Moser, Roisin O’Sullivan, Ceren Özpinar, Frances Painter Fleming, Grace Eunhye Park, Sara Paiola, Natalia Paunic, Athina Petsou, Nirmal Puwar, Radical Sense, Raju Rage, Helena Reckitt, Irene Revell, Lucy Reynolds, Anne Robinson, Lidia Salvatori, Elif Sarican, Trish Scott, Ezzo Scourti, Justin Seng, Sarah Shin, Zorana Simic, Tanya Serisier, Something Other, Cecilia Sosa, Amy Tobin, Ehryn Torrell, Norah Tsai, Francesco Ventrella, Anna Vicente, Emma Yifan Wang, Ana Simona Zellenovic, and Dot Zhihan Jia.

Artists, Writers & Collectives

Sessions have been dedicated to texts and artworks including those by:

Clay AD, Chantal Akerman, Naadje Al-Aali, Ximena Alarcón-Díaz, Francisca Angela, Joan Anim-Addo, Floya Anthias and Nira Yuval-Davis, Gloria Anzaldua, Jenn Ashworth, Ahu Aydin, Margot Badran, Anna Barham, Sita Balani, Anna Barham, Khairani Barokka, Marquis Bey, Elena Biserna, Chiai Bonfiglioli, Anne Boyer, Brixton Black Women’s Group, adrienne maree brown, Wilmette Brown, Octavia E Butler, Sakine Cansiz, Hazel V Carby, Anne Carson, Adriana Cavarero, Teresa Hak Kyung Cha, Anita Chari, Maria Chavez, Anne Anlin Cheng, Lee Chia-ying, Abigail Child, Michelle Citron, Catherine Cho, Barbara Christian, Lia Cigarini, Eli Clare, Leah Clements, Alice Corble, Diane di Prima, Lauren Craig, Galit Criden, Mariarosa Dalla Costa and Selma James, Moyra Davey, Abri De Swardt, Alison Donnell, Claudia Durastani, Maria Puig De La Bellacasa, Leah Clements, Claudia Durastanti, JJJJJerome Ellis, Jenni Fagan, Silvia Federici, Ray Filar, Leopoldina Fortunati, Carla Freccero, Alice Gale-Feeny, Laura Guy, Tomoko Hojo, Leta Hong Fincher, Shulamith Firestone, Su Friedrich, Lauren Fournier, Takana Fuego, Ruth Frankenberg, Annie Goh, Aubrey Gordon, Vivian Gornick, Olivia Guaraldo, Katie Hare, Saidiya V. Hartman, Alice Hattrick, Johanna Hedva, bell hooks, Kim Hyesoon, Onyeka Igwe, Sanja Iveković, Juliet Jacques, franc r jagoe, N K Jemison, Kathy Jetnil-Kijiner and Aka Niviana, Marie Elizabeth Johnson, Jane Jin Kaisen, Banu Kapil, Jasleen Kaur, AE Kings, Alison Knowles, Larissa Lai, Nat Lall, Cathy Lane, Andrea Lawlor, Naja Lee Langvad, Teresa de Lauretis, Ursula K Le Guin, Gail Lewis, Yiang Liang, Katrin Lock, Anna Lockwood, Clarice Lispector, Carla Lonzi, Holly Lown, Fereil Ben Mahoud, Ewa Majewska, Alina Marazzi, Rosy Martin, Alex Martinis Roe, Park McArthur, Lea Melandri, Fatema Mernissi, Milan Women’s Bookshop Collective, Trinh T Minh-ha, Adriana Monti, Jet Moon, D Mortimer, Antonella Nappi, Astrida Neimanis, Jacqueline Hoàng Nguyen, Abdullah Ocalan, Naomi Okabe, Pauline Oliveros, Lola Olufemi, Sue O’Sullivan, Tanja Ostojić, Cecilia Palmeiro, Queer Beograd, Pratibha Parmar, Elizabeth Price, Jamila Prowse, Darija Radaković, Raju Rage, Susan Raffo, Anna Raimondo, Claudia Rankine, Tabita Rezaire, Rivolta Femminile, Anne Robinson, Lucia Egana Rojas, Sasha Roseneil, Gail Rubin, Lou Lou Sainsbury + Kari Rosenfeld, Sofia Samatar, Suzanne Santoro, Rosa Schling, E Scourti, Selma Selman, Tanya Serisier, Christina Sharpe, Sarah Shin, Adania Sibli, Gayatri Chakravorty Spivak, Carolyn Steedman, Rhea Storr, Sabrina Strings, Nydia A. Swaby, Aliya Syed, Latif Tas, Miriam Ticktin, Tiqqun, Madina Tlostanova, Suruchi Thapar-Björkert and Redi Koobak, Asia Tsisar, Rosa-Johan Uddoh, Iris Uurto, Nafu Wang, Kyla Wazana Tompkins, Katri Vala, Doruntina Vinca, Vron Ware, Wages Due Lesbians, Wages for Housework, Francis Whorrall-Campbell, Linda Zerilli, Irina Zherebkina, Sergey Zherebkin and Viktoria Larchenko, Dot Zhihan Jia, Fanfan Zhou.

Contact us

If you would like to join the reading group mailing list or propose a focus for a session, or invite us to lead a meeting, please contact: feministduration@gmail.com 

Website Design by Angelica Bollettinari

Kyla Wazana Tompkins: We Aren't Here to Learn What We Already Know

Kyla Wazana Tompkins: We Aren't Here to Learn What We Already Know

Emilia-Amalia Session III: We Aren’t Here to Learn What We Already Know, Toronto,  8 February 2017.

Emilia-Amalia Session III: We Aren’t Here to Learn What We Already Know, Toronto, 8 February 2017.

I tell my students: theory is both descriptive of the world we live in and speculative as well, in that it seeks new worlds and new language to understand what seems to be “natural” and “normal.” If the ideas that theory wants to express were easy to say, they would not need to be said. The work of undoing what you know, or what you think you know, is hard. You’re going to have to work hard. “We aren’t here to learn what we already know.”  Kyla Wazana Tompkins

This meeting is inspired by US-based Kyla Wazana Tompkins’ 2016 essay ‘We Aren’t Here to Learn What We Already Know.’ Drawing on her experience teaching feminist, queer and minoritarian-based classrooms, Tompkins explores ways of stimulating openness, dialogue and criticality in the classroom, starting by asking: what is a good question, and how do you ask it?

The text is available here

Emphasizing the importance of close, repeat reading, and of reading out loud in group contexts, Tompkins stresses learning’s active, conversational and collective nature. Her essay highlights the role played by tactics of annotation and citation in both forging new knowledges and revisiting earlier texts and positions.  It reflects on complex processes entailed in cultural exclusion, inclusion, and assimilation. While recognising that personal intuitions, feelings, and memories often stimulate important questions, Tompkins underscores the need for these personal associations to move beyond the strictly subjective realm in order to question and analyse larger structural and systemic issues.
 
Tompkins’ approach resonates in many ways with that taken by the Feminist Duration Reading Group towards the collective exploration of overlooked feminist texts, struggles and ideas. In contrast to most Feminist Duration Reading Group meetings – where participants read the text out loud on the night, and advance reading is not required – for this session people were instructed to read the essay beforehand and to follow Tompkins’ instructions:
 
- Read the text three times: once to get a mental map of the article/chapter/ paper; once to get the gist of the argument; and once to find your questions.
- Take notes in the margins: mess with the text. Underline, star, jot down questions.
- Take a break.
- Think about the pieces of the text, phrases, expressions, moments that tweak your instincts, that bother and harass you. These intuitions and “feelings” are the ends of intellectual threads that you may want to excavate.
- Linger over passages that are unclear or that strike you as particularly helpful or that don’t jar well with you. Why do those passages set off your instincts?
- Relate those passages to the whole text: how is this piece of the text part of a larger context?
 
This meeting follows an earlier session based around Tompkins’ text developed by the Emilia-Amalia Working Group in Toronto. It is restaged with gratitude as a form of virtual collaboration. In a follow-up exercise we will draw on Tompkins’ text to explore how to ask a good question about feminism, and how those questions might provoke further conversation and discussion.

Questioning Through Writing

Questioning Through Writing

Islamic Feminisms

Islamic Feminisms