About

The Feminist Duration Reading Group (FDRG) focuses on under-represented feminist texts, movements and struggles from outside the Anglo-American canon. The group has developed a practice of reading out loud, together, one paragraph at a time, with the aim of creating a sense of connection and intimacy during meetings.

The group was established in March 2015 by Helena Reckitt, at Goldsmiths, University of London, to explore texts from the Italian feminist movement of the 1970s and 1980s. Later in 2015 it relocated to SPACE in Hackney, East London where it was hosted by Persilia Caton until April 2019. From June 2019 to February 2020 the group was in residence at the South London Gallery, where it focused on intersectional feminisms in the UK context (a planned year-long programme that was moved online due to COVID-19).

In 2023 we were one of several groups selected for the eighteen month Residents programme at Goldsmiths CCA, London.

From 2023-2024 FDRG partnered with Cell Project Space developing CEED (Central East European and Diaspora) Feminisms, funded by the British Art Network, with Cell Project Space.

FDRG sessions have been organised with Emilia-Amalia at Art Metropole in Toronto; Kunstverein Harburger Bahnhof and HFBK Hamburg, Germany; in London with the Advocacy Academy, Artangel, Barbican Art Gallery, Cell Project Space, Chelsea Space, Chisenhale Gallery, the Drawing Room, Flat Time House, Goldsmiths CCA, Mimosa House, Mosaic Rooms, The Showroom, South Kiosk, Studio Voltaire, Tate Modern, in collaboration with AntiUniversity and the Department of Feminist Conversations, and as part of The Table at the Swiss Church. Elsewhere in the UK we have been hosted by Grand Union and Eastside Projects, Birmingham, esea, Manchester, De La Warr Pavilion, Bexhill-on-Sea, and Hypatia Trust, Penzance.  A sister group, NW FDRG, was set up in Liverpool by Kezia Davies in 2019.        

Six members of the FDRG - Giulia Casalini, Diana Georgiou, Laura Guy, Helena Reckitt, Irene Revell, and Amy Tobin - organised the two-week long events programme, ‘Now Can Go,’ focused on legacies of Italian feminism, across the ICA, The Showroom, SPACE, and Raven Row, in December 2015.  

The group usually meets once a month, in art spaces and community venues as well as non-institutional venues such as private homes or gardens.

The FDRG aims to create an inclusive trans-positive space. We welcome feminists of all genders and generations to explore the legacy and resonance of art, thinking and collective practice from earlier periods of feminism, in dialogue with contemporary practices and movements.

Working Group

FDRG sessions are initiated by a Working Group. Current members are Beth Bramich, Sabrina Fuller, Taey Iohe, Helena Reckitt, and Dot Zhihan.

Support Group

FDRG activities are supported by a Support Group comprising former Working Group members Lina Džuverović, Mariana Lemos, Katrin Lock, and Ehryn Torrell.

Other former Working Group members are Giulia Antonioli, Angelica Bollettinari, Lily Evans-Hill, Félicie Kertudo, Ceren Özpinar, Sara Paiola, Justin Seng, and Fiona Townend.

Working with the FDRG: A Note for Institutions

The FDRG is run by members of the voluntary Working and Support Groups. We regularly partner with community and arts organizations to offer free events to the public.

The reading group is our collective practice that we enjoy and like sharing with others. Facilitating sessions does of course involve considerable time and effort. We also have running costs for web hosting and communication, invited speaker fees etc.

We understand financial constraints within the cultural sector, but appreciate any contributions that support our efforts.

The FDRG operates an ‘Honesty Box,’ and asks funded organisations to pay what they can.

For organisations who can access funding, we suggest a fee of £300 - £600 per session, depending on the scope of work entailed.  This roughly follows the a-n artist payment guidelines for 1-1.5 days for an artist with seven years professional experience (the FDRG was set up in 2015).

Collaborators and Partners

FDRG sessions have been led by Adomas Narkevicius, Ximena Alarcón-Díaz, Giulia Antonioli, Diana Baker Smith, Fari Bradley, Beth Bramich, Giulia Casalini, Laura Castagnini, Catherine Cho, Leah Clements, Morgane Conti, Lauren Craig, Cinzia Cremona, Galit Criden, Giulia Damiani, Oana Damir, Kezia Davies, Department of Feminist Conversations, Flora Dunster, Lina Džuverović, Lily Evans-Hall, Lucia Farinati, Lynne Friedli, Sabrina Fuller, Diana Georgiou, Rose Gibbs, Valeria Graziano, Laura Guy, Haley Ha, Nora Heidorn, Minna Henriksson, Jacqueline Hoàng Nguyễn, Yurika Imaseki, Taey Iohe, Félicie Kertudo, Alexandra Kokoli, Jessie Krish, Mariana Lemos, Mai Ling, Jet Moon, Gabby Moser, Roisin O’Sullivan, Ceren Özpinar, Frances Painter Fleming, Grace Eunhye Park, Sara Paiola, Raju Rage, Helena Reckitt, Irene Revell, Lidia Salvatori, Elif Sarican, Justin Seng, Something Other, Cecilia Sosa, Amy Tobin, Ehryn Torrell, and Dot Zhihan.

Artists, Writers & Collectives

Sessions have been dedicated to texts and artworks including those by Naadje Al-Aali, Joan Anim-Addo, Floya Anthias and Nira Yuval-Davis, Gloria Anzaldua, Jenn Ashworth, Margot Badran, Khairani Barokka, Chiai Bonfiglioli, Anne Boyer, Brixton Black Women’s Group, adrienne maree brown, Wilmette Brown, Octavia Butler, Sakine Cansiz, Hazel V Carby, Adriana Cavarero, Teresa Hak Kyung Cha, Anne Anlin Cheng, Catherine Cho, Barbara Christian, Lia Cigarini, Eli Clare, Leah Clements, Lauren Craig, Galit Criden, Mariarosa Dalla Costa and Selma James, Maria Puig De La Bellacasa, Leah Clements, Silvia Federici, Leta Hong Fincher, Shulamith Firestone, Lauren Fournier, Ruth Frankenberg, Olivia Guaraldo, Johanna Hedva, bell hooks, Sanja Iveković, Juliet Jacques, Marie Elizabeth Johnson, Jane Jin Kaisen, Jasleen Kaur, AE Kings, Larissa Lai, Teresa de Lauretis, Clarice Lispector, Carla Lonzi, Fereil Ben Mahoud, Alex Martinis Roe, Lea Melandri, Fatema Mernissi, Milan Women’s Bookshop Collective, Trinh T Minh-ha, Adriana Monti, Jet Moon, Antonella Nappi, Astrida Neimanis, Jacqueline Hoàng Nguyen, Abdullah Ocalan, Lola Olufemi, Sue O’Sullivan, Tanja Ostojić, Cecilia Palmeiro, Queer Beograd, Darija Radaković, Raju Rage, Claudia Rankine, Tabita Rezaire, Rivolta Femminile, Lucia Egana Rojas, Sasha Roseneil, Gail Rubin, Suzanne Santoro, Selma Selman, Christina Sharpe, Gayatri Chakravorty Spivak, Rhea Storr, Latif Tas, Miriam Ticktin, Tiqqun, Iris Uurto, Nafu Wang, Kyla Wazana Tompkins, Katri Vala, Vron Ware, Wages Due Lesbians, Wages for Housework, Linda Zerilli.

Contact us

If you would like to join the reading group mailing list or propose a focus for a session, or invite us to lead a meeting, please contact: feministduration@gmail.com 

Website Design by Angelica Bollettinari

Masculinities: Eli Clare, Stones in my pockets, stones in my heart

Masculinities: Eli Clare, Stones in my pockets, stones in my heart

Led by Helena Reckitt

The second in the FDRG’s Masculinities series focuses on Eli Clare’s ‘Stones in my pockets, stones in my heart,’ 1999. Ableism and sexuality intersect with class and race in this affective work of creative life writing.

Moving between past, present, and an imagined future, Clare recalls their troubled white working class childhood, including the sexual abuse to which they were subjected, and the kinship with the landscape and its inhabitants that sustained them. Tracing a movement from isolation and shame to community belonging and grassroots activism, Clare explores what it means to listen to their body and reclaim their desires.

Published in 1999 as the trans liberation movement is gaining momentum, Clare wonders if they will find a home “as some third, fourth, fifth gender? Some gender that seems more possible since trans people have started to organize, build community, speak out about our lives. Some gender that I have already started reaching toward.” Clare writes: “You don't have pronouns yet for us.”

Bio

White, disabled, and genderqueer, Eli Clare lives near Lake Champlain in occupied Abenaki territory (currently known as Vermont) where he writes and proudly claims a penchant for rabble-rousing.  In addition to Exile and Pride: Disability, Queerness, and Liberation, 1999, in which the text for today’s session appeared, he has written the work of creative non-fiction Brilliant Imperfection: Grappling with Cure, and a poetry collection The Marrow’s Telling: Words in Motion. Clare speaks, teaches, and facilities at conferences, community events, and colleges about disability, queer and trans identities, and social justice.

Reading

There is no need to read in advance as we will read out loud together on the day from:

Eli Clare, ‘Stones in my pocket, stones in my heart,’ in Exile and Pride: Disability, Queerness, and Liberation, 1999

Clare’s essay, together with others in the FDRG Masculinities series, can be found here https://drive.google.com/drive/folders/1v-WEIA0CkKbLewyOak1o4kYLFP4Zi4Xs?usp=sharing

 To Register and Participate

If you would like to take part in this online reading group please email feministduration.com. The meeting will take place in a number of small online reading groups of c.eight people, where we will read out loud together. At the start and the end of the meeting all participants will join together to introduce ourselves and share our insights on the reading.

Helena Reckitt is grateful to Bárbara Rodríguez Muñoz for introducing her to Eli Clare’s text.

The FDRG Masculinities focus is developed by Flora Dunster, Sabrina Fuller, and Helena Reckitt. It follows the group’s involvement in the public events programme for the ‘Masculinities’ exhibition at the Barbican, London.

Eli Clare, photo by Samuel Lurie

Eli Clare, photo by Samuel Lurie

Masculinities: bell hooks, Representing the Black Male Body

Masculinities: bell hooks, Representing the Black Male Body

Masculinities: Gayle Rubin, Of Catamites and Kings

Masculinities: Gayle Rubin, Of Catamites and Kings