About

The Feminist Duration Reading Group (FDRG) focuses on under-represented feminist texts, movements and struggles from outside the Anglo-American canon. The group has developed a practice of reading out loud, together, one paragraph at a time, with the aim of creating a sense of connection and intimacy during meetings.

The group was established in March 2015 by Helena Reckitt, at Goldsmiths, University of London, to explore texts from the Italian feminist movement of the 1970s and 1980s. Later in 2015 it relocated to SPACE in Hackney, East London where it was hosted by Persilia Caton until April 2019. From June 2019 to February 2020 the group was in residence at the South London Gallery, where it focused on intersectional feminisms in the UK context (a planned year-long programme that was moved online due to COVID-19).

In 2023 we were one of several groups selected for the eighteen month Residents programme at Goldsmiths CCA, London.

From 2023-2024 FDRG partnered with Cell Project Space developing CEED (Central East European and Diaspora) Feminisms, funded by the British Art Network, with Cell Project Space.

FDRG sessions have been organised with Emilia-Amalia at Art Metropole in Toronto; Kunstverein Harburger Bahnhof and HFBK Hamburg, Germany; in London with the Advocacy Academy, Artangel, Barbican Art Gallery, Cell Project Space, Chelsea Space, Chisenhale Gallery, the Drawing Room, Flat Time House, Goldsmiths CCA, Mimosa House, Mosaic Rooms, The Showroom, South Kiosk, Studio Voltaire, Tate Modern, in collaboration with AntiUniversity and the Department of Feminist Conversations, and as part of The Table at the Swiss Church. Elsewhere in the UK we have been hosted by Grand Union and Eastside Projects, Birmingham, esea, Manchester, De La Warr Pavilion, Bexhill-on-Sea, and Hypatia Trust, Penzance.  A sister group, NW FDRG, was set up in Liverpool by Kezia Davies in 2019.        

Six members of the FDRG - Giulia Casalini, Diana Georgiou, Laura Guy, Helena Reckitt, Irene Revell, and Amy Tobin - organised the two-week long events programme, ‘Now Can Go,’ focused on legacies of Italian feminism, across the ICA, The Showroom, SPACE, and Raven Row, in December 2015.  

The group usually meets once a month, in art spaces and community venues as well as non-institutional venues such as private homes or gardens.

The FDRG aims to create an inclusive trans-positive space. We welcome feminists of all genders and generations to explore the legacy and resonance of art, thinking and collective practice from earlier periods of feminism, in dialogue with contemporary practices and movements.

Working Group

FDRG sessions are initiated by a Working Group. Current members are Beth Bramich, Sabrina Fuller, Taey Iohe, Helena Reckitt, and Dot Zhihan.

Support Group

FDRG activities are supported by a Support Group comprising former Working Group members Lina Džuverović, Mariana Lemos, Katrin Lock, and Ehryn Torrell.

Other former Working Group members are Giulia Antonioli, Angelica Bollettinari, Lily Evans-Hill, Félicie Kertudo, Ceren Özpinar, Sara Paiola, Justin Seng, and Fiona Townend.

Working with the FDRG: A Note for Institutions

The FDRG is run by members of the voluntary Working and Support Groups. We regularly partner with community and arts organizations to offer free events to the public.

The reading group is our collective practice that we enjoy and like sharing with others. Facilitating sessions does of course involve considerable time and effort. We also have running costs for web hosting and communication, invited speaker fees etc.

We understand financial constraints within the cultural sector, but appreciate any contributions that support our efforts.

The FDRG operates an ‘Honesty Box,’ and asks funded organisations to pay what they can.

For organisations who can access funding, we suggest a fee of £300 - £600 per session, depending on the scope of work entailed.  This roughly follows the a-n artist payment guidelines for 1-1.5 days for an artist with seven years professional experience (the FDRG was set up in 2015).

Collaborators and Partners

FDRG sessions have been led by Adomas Narkevicius, Ximena Alarcón-Díaz, Giulia Antonioli, Diana Baker Smith, Fari Bradley, Beth Bramich, Giulia Casalini, Laura Castagnini, Catherine Cho, Leah Clements, Morgane Conti, Lauren Craig, Cinzia Cremona, Galit Criden, Giulia Damiani, Oana Damir, Kezia Davies, Department of Feminist Conversations, Flora Dunster, Lina Džuverović, Lily Evans-Hall, Lucia Farinati, Lynne Friedli, Sabrina Fuller, Diana Georgiou, Rose Gibbs, Valeria Graziano, Laura Guy, Haley Ha, Nora Heidorn, Minna Henriksson, Jacqueline Hoàng Nguyễn, Yurika Imaseki, Taey Iohe, Félicie Kertudo, Alexandra Kokoli, Jessie Krish, Mariana Lemos, Mai Ling, Jet Moon, Gabby Moser, Roisin O’Sullivan, Ceren Özpinar, Frances Painter Fleming, Grace Eunhye Park, Sara Paiola, Raju Rage, Helena Reckitt, Irene Revell, Lidia Salvatori, Elif Sarican, Justin Seng, Something Other, Cecilia Sosa, Amy Tobin, Ehryn Torrell, and Dot Zhihan.

Artists, Writers & Collectives

Sessions have been dedicated to texts and artworks including those by Naadje Al-Aali, Joan Anim-Addo, Floya Anthias and Nira Yuval-Davis, Gloria Anzaldua, Jenn Ashworth, Margot Badran, Khairani Barokka, Chiai Bonfiglioli, Anne Boyer, Brixton Black Women’s Group, adrienne maree brown, Wilmette Brown, Octavia Butler, Sakine Cansiz, Hazel V Carby, Adriana Cavarero, Teresa Hak Kyung Cha, Anne Anlin Cheng, Catherine Cho, Barbara Christian, Lia Cigarini, Eli Clare, Leah Clements, Lauren Craig, Galit Criden, Mariarosa Dalla Costa and Selma James, Maria Puig De La Bellacasa, Leah Clements, Silvia Federici, Leta Hong Fincher, Shulamith Firestone, Lauren Fournier, Ruth Frankenberg, Olivia Guaraldo, Johanna Hedva, bell hooks, Sanja Iveković, Juliet Jacques, Marie Elizabeth Johnson, Jane Jin Kaisen, Jasleen Kaur, AE Kings, Larissa Lai, Teresa de Lauretis, Clarice Lispector, Carla Lonzi, Fereil Ben Mahoud, Alex Martinis Roe, Lea Melandri, Fatema Mernissi, Milan Women’s Bookshop Collective, Trinh T Minh-ha, Adriana Monti, Jet Moon, Antonella Nappi, Astrida Neimanis, Jacqueline Hoàng Nguyen, Abdullah Ocalan, Lola Olufemi, Sue O’Sullivan, Tanja Ostojić, Cecilia Palmeiro, Queer Beograd, Darija Radaković, Raju Rage, Claudia Rankine, Tabita Rezaire, Rivolta Femminile, Lucia Egana Rojas, Sasha Roseneil, Gail Rubin, Suzanne Santoro, Selma Selman, Christina Sharpe, Gayatri Chakravorty Spivak, Rhea Storr, Latif Tas, Miriam Ticktin, Tiqqun, Iris Uurto, Nafu Wang, Kyla Wazana Tompkins, Katri Vala, Vron Ware, Wages Due Lesbians, Wages for Housework, Linda Zerilli.

Contact us

If you would like to join the reading group mailing list or propose a focus for a session, or invite us to lead a meeting, please contact: feministduration@gmail.com 

Website Design by Angelica Bollettinari

Trinh T. Minh-ha on Storytelling and Postcoloniality, P2

Trinh T. Minh-ha on Storytelling and Postcoloniality, P2

Trinh T. Minh-ha, Surname Viet, given name Nam (1989)

Trinh T. Minh-ha, Surname Viet, given name Nam (1989)

Speaking, writing, and discoursing are not mere acts of communication; they are above all acts of compulsion. Please follow me. Trust me, for deep feeling and understanding require total commitment.

― Trinh T. Minh-ha

This is the second of two Feminist Duration Reading Group gatherings to focus on the lyrical and affecting work of Vietnam-born, US-based filmmaker and writer Trinh T. Minh-ha on the politics of storytelling and Third World feminism. Emphasising the role of indirect language and poetic expression attuned to sensory impression, Trinh’s writing and filmmaking associates communities and individuals, caring relations and cultural differences.

We will look at excerpts of two of her films. The first, Surname Viet, given name Nam (1989), explores the role of Vietnamese women, interweaving multiple contemporary accounts with folk poetry, song and dance to challenge and expand official histories of country and culture, both in relation to and in the aftermath of the Vietnam War. Forgetting Vietnam (2016) commemorates the 40th anniversary of the war, juxtaposing contemporary stories and memories of local inhabitants, immigrants and veterans with the origin myths of the country’s life-sustaining coastline and myriad rivers, exploring the fragile equilibrium between land and water in a time of a rapid globalisation, and cultural and historical trauma.

Viewing

Together, in small online groups, we will watch and discuss short excerpts from Surname Viet, given name Nam (1989) and Forgetting Vietnam (2016).

Trinh T. Minh-ha 

Trinh T. Minh-ha (b. 1952, Hanoi, Vietnam) is a filmmaker, writer, composer and Professor of Rhetoric and Gender & Women’s Studies at the University of California, Berkeley. Spanning nearly four decades, Trinh’s complex, theoretical, and poetic practice includes moving image, writing, musical composition, installation, and teaching. Recognised for her experimental approaches to image-making and storytelling, Trinh has made significant contributions to the fields of feminist and postcolonial studies. She dedicates her practice to questioning the totalising systems of knowledge and representations and categories of identity. Her Vietnamese heritage, as well as years of her life spent in West Africa, Japan, and the United States, have informed her work, particularly her focus on cultural politics

Register

To reserve a place, and receive a link to the films, please register here.

https://www.eventbrite.co.uk/e/trinh-t-minh-ha-on-storytelling-and-postcoloniality-p2-tickets-158298195163?utm_campaign=post_publish&utm_medium=email&utm_source=eventbrite&utm_content=shortLinkNewEmail

The Event

This online meeting will be divided into three parts.

1. Introductions to the session from by the organisers

 2. Watch excerpts of two films in small online groups.

3. Return to group meeting to share insights and perspectives coming out of the group viewings and discussion.

 Reading

If you would like to read ‘Grandma’s Story,’ which provided the focus for the previous FDRG session on Trinh’s work, please download the reading here.

https://drive.google.com/file/d/1GCcwOxDn7GQ1g2blBuL2hdGfS_6tAozs/view?usp=sharing 

Image: Trinh T. Minh-ha, Forgetting Vietnam (2016).

 

Larissa Lai: Salt Fish Girl

Larissa Lai: Salt Fish Girl

Trinh T. Minh-ha on Storytelling and Postcoloniality, P1

Trinh T. Minh-ha on Storytelling and Postcoloniality, P1